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012 ALBANY LOU – Underground Hip Hop

 

Albay Lou and Ill BillUnderground Hip Hop Albany Style

“Albany” Lou Samberg, cousin to SNL’s Adam Samberg, is a hard working young Hebrew from New York State, who likes to bust out rhymes about his life and what’s important to him to the sound of hip hop beats.

JM: Who are the Jews in your family?
AL:
Both Mother and Father  are 100% Jewish. My Fathers last name is Samberg and my mother’s mother was Cohen. I had a crash-course Bar Mitzvah when I turned 13. I never did understand the tradition of tossing candy at the  Bar Mitzvah Boy.  My Father recalls me chucking it right back at people HARD…lol

JM: How do you define yourself? A rapper? A hip hop artist? Producer?
AL: A rapper, entertainer, dogman, father, businessman. I havn’t realy dabbled in production aspect of Hip Hop. I believe I could do it, but I’m more about the verbal expression.

JM: Where did your “name” come from?

AL: Growing up in Albany NY, people knew me as Lou/Louie/Casino/White Lou/Lou the Jew/Snozz/Boss. The name Albany Lou came about when I started going out of town to get money. It was then that I started advertising my game-bred pitbulls in various dog magazines under the alias “Albany Lou”. When I began taking the music seriously, it was natural for me to keep that name.

JM: Are you signed to any labels?
AL: I have not signed any papers at this point though I have had offers from some smaller labels. I’m a little uncomfortable with signing anything besides autographs. I am lucky that my cousin is an entertainment Lawyer that can help.

JM: How many CD’S/Albums have you released so far?
AL: 3 released and one on the way SOON. I have only one actual album at this point. I feel the mixtape route is a much better way to accumulate a buzz. Once I’m in the public eye a bit more then I’ll start droppin more albums.
1. DEAD GAME(the album)
2.DEAD GAME vol 2 hosted by the mix-king DJ Life
3 Back in the box
4 comin soon

Albany Lou - Dead GameJM: Who were your biggest musical influences when you started?
AL: I started listening to hip hop when the west was real popular (Snoop, Dre, Ice Cube, Cypress hill etc. Then came Wu, Biggie, Mobb Deep, Outkast, Big Pun, Twista, Jay Z, Dmx, The Lox, Eminem, etc. It would be hard to say which artist influenced me the most though.

JM: Whose music influences you today?
AL: Honestly, the people around me that I grew up with are all worthy Mc’s and they probably shape me more than anyone else. We all kind of build off each other, although at this point they dont realy persue the music the way I do. As of lately, the rappers outside my circle that I listen to are Necro and ill bill, I’m feelin that new Hellraiser and Shabazz album, but not a lot of rap I hear inspires me the way it used to.

JM: Where did you grow up, where were you raised and where is home for you?
AL: I was born in Chinatown (NYC) but my family moved to long island a couple years later. My mother and I went through some really tough times and tough years. I stayed with my grandfather for a couple of years and then moved to Albany myself. Albany is definately my home. I’ve been here since I was ten and I know everyone.

JM: Is Tupac really alive?
AL: Josh your a jerk(smile).

JM: Whose music rubs you the wrong way?
AL: I don’t really ever get rubbed the wrong way by music, even when maybe it should at times. I’m a little mad at Eminem for not putting on another talented white rapper. Em, we are out here and yes we had it hard too!

JM: How did you get to where you are now? What were the big breaks and events?
AL: Haha, I’m still lookin for that big break.

JM: Has there been anyone who has mentored or really helped you along the way?
AL: I have great support through friends and family, but my answer has to be no. I do it mostly on my own even when they say it’s not possible!

JM: When did you first start getting into the performance side of music?
AL: When I was eleven, three of my friends and I performed Bobby brown’s “Get away” in the school lip sink contest., after that it was house party. I think performing is somthing that has always been in my blood.

JM: Who do you hang out with, anyone noteworthy?
AL: My 1st Cousin Andy Samberg is real popular on SNL.  I’m also close with DJ Life (Blockburners/streetsweepers/BLACKFOOT ENT. He’s like Albany’s Kayslay and his name is known heavy in NY, and in Jersey.

JM: What song has had the biggest impact on you personally?
AL: What song of mine? I would say my Dead Game song because of the creativity that went into makin it and because of the effect that it had on other people. It gave me my original fan base.

JM: What do you write about in your songs?

AL: Life in general. I’m not the type of artist that sticks to the script. No one is one-dimensional. If I feel happy then I make a happy song and if Im angry it also shows in my music.

JM: What bothers you about the music business?
AL: The same thing that bothers me about Life. Not enough loyalty, too much ego, and very little truth. Plus, its’ all about a buck. Deserving artists that make real authentic music are the ones who should be reaping the benefits.

JM: How has being a Jew or in other less popular words, has having Jewish blood in your veins made a difference in your life?
AL: It’s made all the difference in many ways and yet no difference at all in others. First of all, let me say that I did not grow up around Jews. My mother and I celebrated Hanukah every year. When I was young I used to get into fights because I was constantely ridiculed for being Jewish but I was always proud. I was never afraid to stand up for myself the same way my grandfathers did when they were alive. I also got a lot of love from certain people. My friends often said “Lou ain’t white, he’s Jewish.” When I was young that phenomenon made me feel accepted.

JM: Is being a Jew important to you? Please explain.
AL: Absolutely. Although I am not religious, being Jewish is a big part of my identity.I wouldn’t want to be anything else. A part of me feels very special to be a part of something so ancient and strong!

Underground Hip Hop Albany Style JM: What do you do for beats?
AL: My brother Legacy from the Dead Game video, he also produced the track, and my dawg Damian. Both childhood friends and both great producers. Other than that I jack other peoples beats for my mixtapes.

JM: Do you play any instruments?
AL: No, but I can sing.

JM: What is your favorite city?
AL: Vegas is the shit, NYC is mind blowin, Atlanta is beautiful, Beacon is quaint, but Id have to say I’m the most at home in Albany.

JM: Have you been to Israel?
AL: I had the opportunity to go when I was younger but I was so rapped up in my own chaotic life to accept the offer. Now i regret it. I do plan to go one day as I have family in Israel.

JM: Do you know what tribe you are from? Levi, Judah?
All I know is my grandmother was a Cohen.My family came from Russia, Lithuania, and poland to the united states in early 1900.

JM: Do you pay attention to what is going on with Israel?
To be truthful I hardly watch American news or Tv at all for that matter.I am behind my people 100%, though,I would really like to visit Israel and see it for myself.

JM: What’s coming up for you?
Well I sent Necro my Cd i havnt heard back fro him yet.i kinda want o do a song or two with phsycological.im supposed to be touring with Gym class heroes next summer. Right now its about sellin cds and tryin to get more shows

JM: What’s your favorite piece of musical equipment?
AL: Microphone hands down.

JM: Which one of your songs do you like the most and why?
AL: Their are so many that I love but iI would have to say Only Human, because it was from the heart. I listen to it for inspiration and it reminds me that I can do, it if he can do it. I also like Electricity, its the opposite of Only Human, but somehow has the same effect.

JM:Have you been in the media yet, and if so, how so?
AL: Well right now The PETA people are on my ass.

JM: Are you a spiritual or religious person?
AL: Definitely spiritual, not religious, for some reason I only pray when I’m High though (4:20).

JM: How and where can people listen to your music and watch your videos?
AL: MYSPACE.COM/ALBANYLOU

www.youtube.com/user/ALBANYLOU

JM: Where can people buy your music?
AL: MYSPACE.COM/ALBANYLOU I have a paypal. Other than that, come to Albany and I’ll sell you one personally.

JM: Who made your videos?
AL: I made every single one! I must say that for the limated resources I have they came out Damn good. All I have is a digital camera SRAIGHT RAW !

JM: Any shoutouts?
AL: First of all JEWISH MAYHEM MAGAZINE!!! Second of all my Mother (the strongest woman alive!) my Father, my Son who is my everything and my Fiancé, and of course everyone that I consider family!! .

Infinite love

Thanks,

Lou

###END###

011 Things That Every Jew Should Know

 
Way to fucking go Israel!

Things That Every Jew Should Know 011

Sexy Topless Jewish Israel Hebrew Body Painting model Petra Nemcova Here are a few more interesting facts about the nation of people that should be dead in life and alive only in the history books and in particular about the land of Israel today, the third Jewish State. It was sent in to Jewish Mayhem from a fan.

The Middle East has been growing date palms for centuries. The average tree is about 18-20 feet tall and yields about 38 pounds of dates a year.

Israeli date trees are now yielding 400 pounds/year and are short enough to be harvested from the ground or a short ladder.

Israel, the 100th smallest country, with less than1/1000th of the world’s population, can lay claim to the following:

________________________________________________________________

Most of the Windows NT and XP operating systems were developed by Microsoft-Israel.

The Pentium MMX Chip technology was designed in Israel at Intel.

Both the Pentium-4 microprocessor and the Centrino processor were entirely designed, developed and produced in Israel .

The Pentium microprocessor in your computer was most likely made in Israel .

Voice mail technology was developed in Israel .

Both Microsoft and Cisco built their only R&D facilities outside the US in Israel.

The technology for the AOL Instant Messenger ICQ was developed in 1996 by four young Israelis.

Israel has the fourth largest air force in the world (after the U.S. , Russia and China ). In addition to a large variety of other aircraft, Israel’s air force has an aerial arsenal of over 250 F-16′s. This is The largest fleet of F-16 aircraft outside of the U. S.

Israel ‘s $100 billion economy is larger than all of its immediate neighbors combined.

Israel has the highest percentage in the world of home computers per capita.

According to industry officials, Israel designed the airline industry’s most impenetrable flight security.

Israel has the highest ratio of university degrees to the population in the world.

Israel produces more scientific papers per capita than any other nation by a large margin – 109 per10,000 people -as well as one of the highest per capita rates of patents filed.

In proportion to its population, Israel has the largest number of startup companies in the world. In absolute terms, Israel has the largest number of startup companies than any other country in the world, except the U.S. (3,500 companies mostly in hi-tech).

With more than 3,000 high-tech companies and startups, Israel has the highest concentration of hi-tech companies in the world — apart from the Silicon Valley , U. S.

Israel is ranked ..2 in the world for venture capital funds right behind the U. S.

Outside the United States and Canada , Israel has the largest number of NASDAQ listed companies.

Israel has the highest average living standards in the Middle East .

Sexy Topless Jewish Israel Hebrew Body Painting model Petra Nemcova The per capita income in 2000 was over $17,500, exceeding that of the UK .

On a per capita basis, Israel has the largest number of biotech startups.

Twenty-four per cent of Israel ‘s workforce holds university degrees, ranking third in the industrialized world, after the United States and Holland , and 12 per cent hold advanced degrees.

Israel is the only liberal democracy in the Middle East .

In 1984 and 1991, Israel airlifted a total of 22,000 Ethiopian Jews (Operation Solomon) at Risk in Ethiopia , to safety in Israel .

When Golda Meir was elected Prime Minister of Israel in 1969, she became the world’s second elected female leader in modern times.

When the U. S. Embassy in Nairobi , Kenya was bombed in 1998, Israeli rescue teams were on the scene within a day – and saved three victims from the rubble.

Israel has the third highest rate of entrepreneurship — and the highest rate among women and among people over 55 – in the world.

Relative to its population, Israel is the largest immigrant-absorbing nation on earth. Immigrants come in search of democracy, religious freedom, and economic opportunity. (Hundreds of thousands from the former Soviet Union )

Israel was the first nation in the world to adopt the Kimberly process, an international standard that certifies diamonds as “conflict free.”

Israel has the world’s second highest per capita of new books.

Israel is the only country in the world that entered the 21st century with a net gain in its number of trees, made more remarkable because this was achieved in an area considered mainly desert.

Israel has more museums per capita than any other country.

Medicine… Israeli scientists developed the first fully computerized, no-radiation, diagnostic instrumentation for breast cancer.

An Israeli company developed a computerized system for ensuring proper administration of medications, thus removing human error from medical treatment. Every year in U. S. hospitals 7,000 patients die from treatment
mistakes.

Israel ‘s Given Imaging developed the first ingestible video camera, so small it fits inside a pill. Used to view the small intestine from the inside, cancer and digestive disorders.

Sexy Topless Jewish Israel Hebrew Body Painting model Petra Nemcova Researchers in Israel developed a new device that directly helps the heart pump blood, an innovation with the potential to save lives among those with heart failure. The new device is synchronized with the camera helps doctors diagnose heart’s mechanical operations through a sophisticated system of sensors.

Israel leads the world in the number of scientists and technicians in the workforce, with 145 per 10,000, as opposed to 85 in the U. S., over 70 in Japan , and less than 60 in Germany . With over 25% of its work force employed in technical professions. Israel places first in this category as well.

A new acne treatment developed in Israel , the Clear Light device, produces a high-intensity, ultraviolet-light-free, narrow-band blue light that causes acne bacteria to self-destruct -all without damaging surrounding skin or
tissue.

An Israeli company was the first to develop and install a large-scale solar-powered and fully functional electricity generating plant, in southern California ‘s Mojave desert .

All the above while engaged in regular wars with an implacable enemy that seeks its destruction, and an economy continuously under strain by having to spend more per capita on its own protection than any other county on earth.

AND THE FRENCH AMBASSADOR IN ENGLAND SAYS :

” ISRAEL IS NOTHING BUT A SHITTY LITTLE COUNTRY”

Remember…

It can’t be world war III yet or France would have already surrendered
already.

Just some kosher food for thought…

Way to fucking go Israel!
Way to fucking go Israel!

009 One Of The Men Behind The Music That You Love

 

Nasty Little Man

Nasty Little Man Public Relations Firm

Interview with Steve Martin, President of Nasty Little Man

By Dustin Herlich

Jewish Mayhem had the opportunity to chat a bit with the Beastie Boys recently before their concert in Brooklyn, New York. The press conference was organized by Nasty Little Man. Nasty Little Man is a New York based public relations firm that represents a pretty impressive set of clients. From Jimmy Eat World to Beck, The Foo Fighters and of course, the Beastie Boys, musical acts big and small know they can turn to Nasty Little Man.

Steve Martin is the founder and president of Nasty Little Man and guess what, he’s Jewish too! Jewish Mayhem was lucky enough to secure a little of Steve’s time for an interview. You can read it all right here.

Jewish Mayhem: For the record how about your name and position at Nasty Little Man?

Steve Martin: Steve Martin. I started and own the company. Not really big on titles but I guess that makes me president.

JM: Can you tell us a little bit about what you do there, and what your company does overall?

SM: I run the place basically. I sign the clients, come up with the strategies and targets for the campaigns. As for what we do overall, my company’s function is to look after the media profile of my clients. This means pitching and/or deciding what they do in the magazines, newspapers, weeklies, zines, blogs and late night tv shows.
JM: Nasty Little Man is an interesting name for a PR firm. How did you come up with that?

SM: It was something really ridiculous that someone said to me at the first and only record label job I ever had. The company had been purchased by Sony and was starting to put out a lot of crappy music. I was getting grilled about why the crap wasn’t getting as much positive press coverage as the good stuff that I’d been working on before. I told them in all honesty: because it was shit. Someone said “you don’t like anything! You’re just a nasty little man!” Which I thought was hilarious because I knew for a fact that I had a bigger and more diverse knowledge and collection of music than anyone in the room. So I quit really soon after that, sort of drifted a little, played some music for money here, did a bit of writing there and ultimately started getting excited about a few artists who were up and coming–this was pre-Nevermind, mind you–like Helmet, Ween, Smashing Pumpkins and Guided By Voices. I incorporated under the name nasty little man when the company became a full time thing.
JM: Your client list is fairly impressive. Beastie Boys, Rammstein, Beck, Radiohead… why do you think such big ticket names turn to you for your services?

SM: Some turn to me, some I chase. Honestly I never go after the biggest flavor of the month or whatever. You mention Rammstein. I went after them in 1997. I had no idea their first U.S. record would sell so much.

I think at this point whenever I sign a new client, which isn’t that often, it’s because they know that they’re one of a kind on my roster. Know what I mean? They also know that my firm does really quality work for a select few clients. It might sound elitist but I only want the best. I’m honored to work with Radiohead, Beck, Beastie Boys and all my clients. That has a lot to do with why I have no interest in working with the “next” Radiohead, Beck or Beastie Boys when people try to pitch me clients as such.
JM: Can you tell us a little bit more about how you got involved with the Beastie Boys in particular? I understand they were with you from very early on.

SM: I would say beastie boys were the pivotal client that turned Nasty Little Man into a full time enterprise for me. I knew those guys in a couple of different contexts. I would see them around when I used to play music back in the New York hardcore days. Then, when I was writing, I did a few major pieces on them. Finally, in the Check Your Head days, Mike D just called me at home one day and asked if I was still doing the PR thing. They were looking for an indie firm. The company that had been repping them was run by a mutual friend who was folding her company. So anyway, we met up during that tour, like ’92-93 and before I knew it, things were in full swing. Working the set-up for the ill communication record, Luscious Jackson, Ben lee, the whole grand royal label and magazine. Crazy busy times…
JM: What’s the best part of what you do? What keeps you doing it day in and day out? Is it still fun?

SM: The best part of what I do is achieving the biggest goals. Getting a client their first major feature or magazine cover, or TV show. Saturday Night Live in particular. Growing up watching that show and being turned on to so much great music by it, there’s a magic about seeing my people up on that stage in that studio that never goes away.
JM: I understand that you yourself are of Jewish heritage (which is a big reason for this interview in particular). Do you feel that this has factored into your success in any way? Some of the people claim that having Jewish heritage is part of the “required street cred” for your side of the business. Some joke that if you’re a star and you’re not Jewish yourself, your agent has to be.

SM: [[laughing]] that’s something of a cliché’ I’m afraid. Sure there are plenty of Jewish people in high places in the entertainment business. But, in my experience, it hasn’t really been a factor. The majority of the members and managers of Radiohead, Foo Fighters, AFI, Spoon, The Strokes aren’t Jewish, neither are Ryan Adams, Damon Albarn (Gorillaz, The Good The Bad & The Queen). So honestly that stereotype has never held true in my professional experience.
JM: Any other thoughts on your heritage, or how it affects your life? I hear a lot that growing up immersed in Jewish culture taught them the values of hard work, learning, etc. Any thoughts on that?

SM: I can relate to that. There was definitely a big sense of Jewish work ethic in my family, emphasis on education and so forth.

I’d say the biggest impact it had on what I wound up doing with my life was the sense of being the underdog. Maybe some of that came from just being an outsider altogether, which I definitely was in my musical tastes. I think the Jewish experience played into that as well–like being in Hebrew school on Saturday mornings when the goyim were watching cartoons! Whatever the case, I’ve always felt most comfortable on the fringe; doing my own thing, not working for anyone else’s corporation, not letting anyone tell me what music I have to work.
JM: You’re probably saturated with music day in and day out, do you ever actually listen to music any more?

SM: Oh hell yeah, I listen to music all the time. Whether it’s discovering new stuff and rediscovering classic stuff, I’m always listening to music. I choose the clients I choose because I love their music so you’ll always catch me listening to them and going to their shows. As for what I’ve been listening to lately… Over the last few days, on these flights and at the hotel: Bob Dylan, Beatles, Ryan Adams, Steve Reich, Uncle Tupelo, e-40, Arcade Fire, Beck, Modeselektor, Blitz, Ulrich Schnauss, Spoon, Beastie Boys and advances of the new Foo Fighters, Jimmy Eat World and PJ Harvey, among other things I’m sure I’m forgetting. I guess I have musical ADD and I guess that’s a good thing.
JM: You’ve got your share of A-list clients, but what about the “little guy” do you still work with any lesser known bands? Do you still find it fun to work with them?

SM: Oh sure. One of the most gratifying parts of my job is that discovery process, then taking someone from total or relative obscurity to some kind of profile. There’s usually one a year, give or take. This year I’d say it was Andrew Bird. In the past it’s been Sigur Ros, Rammstein…
JM: Any words of advice for inspiring musicians out there?

SM: Just be yourself. Don’t try to be someone else or some hybrid of some other artists. Do what comes naturally. And do it for the love of music, do it because it’s all consuming and the only thing you can do. Otherwise you shouldn’t be doing it at all.
JM: Have any advice for those out there who’d like to get into the business side of music?

SM: Not really, other than that my advice to aspiring musicians goes for would-be businesspeople too. The business is changing, shrinking.  It can’t afford to support the number of fair-weather types it once did

Here are some select campaigns nasty little man has run:

1992-1993
Helmet: Meantime
Smashing Pumpkins: Siamese Dream
Luscious Jackson: In Search of Manny
Guided By Voices: Propeller, Vampire On Titus
Jawbox: Novelty
Shudder To Think: Get Your Goat

1994-1995
Beastie Boys: Ill Communication
Foo Fighters
Helmet: Betty
Luscious Jackson: Natural Ingredients
Shudder To Think: Pony Express Record
Sick Of It All: Scratch The Surface

1996-1997
Foo Fighters: The Colour & The Shape
Beastie Boys: Aglio e Olio
Cibo Matto: Viva la Woman
Luscious Jackson: Fever In Fever Out
Sick Of It All: Built To Last
Atari Teenage Riot: Burn Berlin Burn
The Tibetan Freedom Concert

1998-1999
Beastie Boys: Hello Nasty
Foo Fighters: There Is Nothing Left To Lose
Rammstein: Sehnsucht
Rancid: Life Won’t Wait
DJ Shadow: Brain Freeze
Asian Dub Foundation: Rafi’s Revenge
Joe Strummer & The Mescaleros: Rock, Art & The X-Ray Style
Rockstar Games
The Tibetan Freedom Concert

2000-2001
Radiohead: Kid A, Amnesiac, I Might Be Wrong: Live Recordings
Jimmy Eat World: Bleed American
Sigur Ros: Agaetis Byrjun
At The Drive-In: Relationship Of Command
Alkaline Trio: From Here To Infirmary
Rammstein: Mutter
Aphex Twin: Drukqs
Supergrass
BS 2000: Simply Mortified
Dark Days
The American Astronaut

2002-2003
AFI: Sing The Sorrow
Foo Fighters: One By One
Radiohead: Hail To The Thief
Coheed and Cambria: In Keeping Secrets Of Silent Earth: 3
The Mars Volta: De-Loused In The Comatorium
Sigur Ros: ( )
DJ Shadow: The Private Press
Alkaline Trio: Good Mourning
Cursive: The Ugly Organ
Rancid: Indestructible
Sparta: Wiretap Scars
Supergrass: Life On Other Planets
The Directors Label: The Works of Spike Jonze, Michel Gondry and Chris Cunningham
Andrew W.K.: I Get Wet (Island-Def Jam)

2004
Beastie Boys: To The 5 Boroughs
Jimmy Eat World: Futures
The Blood Brothers: Crimes
The Comas: Conductor
Junior Boys: Last Exit
Rammstein: Reise, Reise
Probot
DJ Shadow: In Tune & On Time Live
Sparta: Porcelain
The Good Life: Album of the Year
Now It’s Overhead: Fall Back Open
Beep Beep: Business Casual
Son, Ambulance: Key

2005-2006:
Foo Fighters: In Your Honor, Skin and Bones
Beck: Guero, Guerolito, The Information
Gorillaz: Demon Days, Demon Days Live shows and DVD, Slowboat to Hades DVD
AFI: Decemberunderground, I Heard A Voice DVD
The Strokes: First Impressions of Earth
Thom Yorke: The Eraser
The Mars Volta: Frances The Mute, scabdates, Amputecthure
Jimmy Eat World: Stay On My Side Tonight EP
Alkaline Trio: Crimson
Mates of State: Bring It Back
Bob Mould: Body of Song
At The Drive-in: This Station Is Non-Operational – Anthology
deadboy & the Elephantmen: We Are Night Sky
Shooter Jennings: Electric Rodeo
Alexi Murdoch: Time Without Consequence
Phoenix: It’s Never Been Like That
Peeping Tom
Blood Brothers
: Young Machetes
Rammstein: Rosenrot
DJ Shadow: The Outsider
THE DIRECTORS LABEL (Series 2): The Work Of Directors ANTON CORBIJN, JONATHAN GLAZER, MARK ROMANEK & STÉPHANE SEDNAOUI
Beastie Boys: Awesome… I Fuckin’ Shot That
Cursive: Happy Hollow

CURRENT CAMPAIGNS 2007:
Arcade Fire
: Neon Bible
Ryan Adams: Easy Tiger
Spoon: Ga Ga Ga Ga Ga
Andrew Bird: Armchair Apocrypha
Beastie Boys: The Mix-Up
The Good, The Bad & The Queen
Albert Hammond, Jr.
: Yours To Keep
Dax Riggs: We Sing of Only Blood or Love
Cortney Tidwell: Don’t Let Stars Keep Us Tangled Up
Rammstein: Volkerball

COMING 2007-2008:
Blaqk Audio
Foo Fighters
Jimmy Eat World
Radiohead

009 Hiphop Mayhem – Jewish Mayhem Cooks Up a Beastie Good Time

 

The Beastie Boys

Jewish Mayhem Cooks Up a Beastie Good Time

By Dustin Herlich
Photos courtesy of Nasty Little Man
Photos by Dustin Herlich, Vanya Edwards and Jennifer Hall

The Beastie BoysThe Beastie Boys.  Do they really need much of an introduction?  Even if you’ve been living in a cave for the last twenty years or so, you’ve got to have heard some thumping on your cave walls from a neighbor blasting “Fight for Your Right (To Party)”.  Not everyone’s familiar with their entire catalog, but heck, even my parents know who they are.  For those of you who still don’t know who they are, let me give you a brief history.

The Beastie BoysThe Beastie Boys are a hip hop group hailing from New York City.  The three main members of the band (who have been consistent pretty much since the inception of the group) are Michael “Mike D” Diamond, Adam “Ad-Rock” Horovitz and Adam “MCA” Yauch.  The current DJ of the group is Michael “Mix Master Mike” Schwartz.  The three front men of the group have known each other since their youthful days as punk rock band members.

The Beastie Boys are well known as a hip hop group, but their musical talent and ability to cross genres is undeniable.  Known for funny, kitschy lyrics that reference pop culture, the Beastie Boys also have proven musical talents. This is evidenced with their latest album The Mix Up.  This album is so unique, so original, that it’s been getting air play on folk and AAA formatted stations such as the well known WFUV in New York.  A station like that has a listenership demographic that’s mostly the 50 and over crowd. Not what you normally think of when you think Beastie Boys records.

No matter what you want to call the Beastie Boys; rap, hip hop, nu-metal, or even some variant of hardcore punk; the Beatie Boys have left their indelible mark not just on the world of music, but on pop culture in general.  They have been parodied in songs by other bands, appeared as animated characters in shows such as Futurama and all around have become something of a household name.  Heck, how many bands out there can say they’ve been playing together as long as the Beastie Boys have.  In a world of one hit wonders, the Beastie Boys stand out from the crowd.
Jewish Mayhem magazine had the fortune of being able to take part in a recent press event with the Beastie Boys.  This was truly a phenomenal experience, one I won’t soon forget.  I’ve already given you a few words on their background, but what this piece is really about is who the Beastie Boys are today and how this fits in to Jewish Mayhem.  To start with, as Adam Sandler likes to mention in his comedic Chanukah songs, all three Beastie Boys are Jewish.  Not only that, but their DJ, Mix Master Mike is of Jewish ancestry as well.

The Beastie BoysThe press conference I took part in was a chance for writers to ask just about any question they wished.  Questions posed ranged from their thoughts on music downloads to “Do you still feel you have to fight for your right to party?” (no, really, someone asked that).  I was determined to represent Jewish Mayhem better than that guy did and I’d like to think I succeeded.  Blender even mentioned Jewish Mayhem in their recap of the press event and pointed people in the direction of the magazine (go us!).

It should be mentioned that part of what made this press conference so special is that it was on the eve of their first ever live show in Brooklyn, New York.  For a group that’s done songs about Brooklyn, and has band members from Brooklyn it seems funny that they’ve never played there before. But, there’s a first time for everything.  The New York natives were very excited to be back home and they a good deal of energy and excitement about them.  The trio came dressed for success wearing matching outfits (as they often do on stage), except this time their outfits were suits.  Not just any suits, but slightly ill fitting suits that came from thrift stores.  Ad-Rock was proud to have gotten his for $50 on Ebay.  Oy what a bargain!  The suits were funny, but they certainly helped paint a better picture of who the Beastie Boys are and what they’re doing.

The Beastie BoysAccording to Mike D, “we’re not really sure why, but we started wearing suits to the studio when we were recording this album”.  What comes through to me through things like matching suits and their constant back and forth banter amongst themselves is that they are not just band members, they are old friends.  Their congenial nature made quite an impact on me.

Before the Beastie Boys actually got to the event, all the journalists were sitting around waiting.  A good number of them took the opportunity to catch up with each other.  “I was in Boston last night for this concert, how come I didn’t see you there” “Well that’s ‘cause I was in LA filming such and such.  Funny how celebrities are usually portrayed as behaving like this, but at this event the celebrities were gentleman and some of the journalists got catty.

The Beastie Boys moderated the event themselves.  I’ve often seen it to be the case where in a press conference like this a manager or PR agent controls the crowd, but the Beastie Boys were unafraid of our questions and were very happy to run the show themselves.  They did a truly admirable job too, being really fair and making sure that every one of us got to ask at least one question.

At one point a joke was made about a journalist in the room with a “Jewfro” (which Mike D is currently sporting).  At the end of the press conference, Mike D actually went up to this journalist, shook his hand and said he didn’t mean to offend anyone.  Now, everyone in the room laughed at the joke.  It seemed like it was all in good fun, but to see a celebrity really act like a descent human being I found to be refreshing and maybe even a little heartwarming. The Beastie Boys are real people too; good people to boot.

The Beastie Boys Photo by Dustin HerlichI’ve interviewed scientists, musicians, lawyers, presidential candidates and diplomats.  Few, if any of these people have been as open, honest and funny as the Beastie Boys were.  They are a good group to interact with and they love answering offbeat questions.

Probably the funniest exchange of the event centered on Mike D.  When asked about various rumors, such as his relation to (or even a possible sexual relationship with) Neil Diamond he quipped “There’s no blood line relations. Nor to Dustin Diamond, Screech from Saved By The Bell.  Although, I hear he has a Sex tape”.  Mike D also commented on the numerous rumors about his death.  “I’ve been rumored to have been dead a few times, although not for a while.  That’s funny, because you think that as you get older the rumors would increase, but it’s been a while”.

By now, the Beastie Boys have to be sick of everyone asking them how they feel about being white boys in a hip hop world (yeah, someone asked about that this time too).  I figured they’re probably a little tired of answering questions about their Jewish background as well, so I figured I’d mix it up a tad.  I asked them how they feel about being the role models for white Jewish rappers around the world.  Not only did they get a kick out of the question, but so did the entire room.  The answer they gave was pretty interesting.

The Beastie Boys Photo by Dustin HerlichAd Rock was first to answer.  “How we identify with being Jewish is more in the mold of how we identify with being New Yorkers.  It’s more a cultural one as opposed to a religious one because of what our backgrounds are.” He continued “We all met each other going to clubs and playing in bands.  It was a small, hardcore punk rock downtown New York City scene.  We never thought this was going to last.  We never thought this would be a career and we never figured we’d inspire others.  It’s a good thing though.  We can remember going downtown to see someone like Black Flag play at peppermint lounge, or Jazzy Jay (at which point MCA interjects “none of those are Jewish bands by the way”) and the effect they had on us. To have that effect on others is a good thing. ” Well, maybe their role models didn’t turn out to be nice Jewish boys, it’s good to see that the aspiring Jewish rappers of the world have such nice boytshiks to look up to.  According to MCA “I don’t think that the three of us actually noticed we all had Jewish backgrounds until the press started asking us questions about it.”  Mike D added “It wasn’t like we intended to start a Jewish group.”  Funny coincidence then, that all three are Jewish and so is their DJ.

They might not be the most pious of Jews (MCA is a practicing Buddhist) but they certainly don’t deny their heritage.  As homage to their heritage, in their album To the 5 boroughs they make reference to the fact that they are “funky ass Jews”.  Who wouldn’t be proud of having Jewish heritage?  You’ve got Jewish Mayhem in your family tree!

The Beastie Boys are humble, intelligent, very quick witted and dedicated to their craft.  No matter how practicing a Jew you are or are not, these are certainly important Jewish values.  And let’s not forget the bargains they got on their suits…

The Beastie Boys Photo by Dustin HerlichThe newest album, as mentioned before, is all instrumental.  When asked about this, MCA retorted “so what, are you trying to ask if we’ve got anything to say?  Yeah, we should get out of Iraq.  That’s one”.  The crowd laughed, but I don’t think they fully understood what MCA was trying to say.  I don’t think it was just a simple anti-war plug. I think he was trying to make the point that there’s always plenty to say and lots of different outlets to say these things.  The Beastie Boys have all been fairly active politically in their own right.  As Mike D added “We just wanted to make an instrumental album”.  I think that took guts.  How many other rap or hip hop stars can even play an instrument of any kind at all?  I think that the music journalists in the room couldn’t quite get over the fact that it wasn’t a traditional hip hop album.  Ad Rock said “We’ve got plenty to say, we’ve got a bunch more albums left in us”.  I think the simple fact that they were able to put out an instrumental album itself speaks volumes.

The Beastie Boys Photo by Dustin HerlichThey are a talented group and they are dedicated to actually making music.  There is no denying that the Beastie Boys are involved with certain causes (MCA was instrumental in getting the Tibetan Freedom Concerts off the ground), but you don’t always have to shove that down everyone’s throats.  I respect the Beastie Boys for putting out the new album and reminding the world that funny, witty lyrics are not their only talent.

The Beastie Boys are more than just punk rockers turned hip hop and rap superstars (although, according to them, making punk albums and hip hop albums put you in the same “head space”); they are cultural icons. It’s really refreshing to see that none of them have been spoiled by fame.  They’re not afraid to lament the fact that New York has far too many Starbucks or that people just buy single songs on the internet instead of getting an entire album.  As MCA puts it “When you buy an entire album, you get things like cover art.  You can listen to all of the songs in order and get a picture of the mentality of the band was in when they made the album”.  Something that my twenty-something short attention span generation probably does not get that often.

They really are still friends, coming together to make good music.  Perhaps the best example of this is their answer to a question asking them how they feel about being white in the rap and hip hop world.  “People are making music regardless of what color they are. Some people are making interesting music and some aren’t.  It doesn’t matter what color they are”.  The Beastie Boys prove that selling records isn’t about what color you skin is, or what rappers you’re feuding with in your lyrics, it’s about putting out quality music and still loving what you do.  The Beastie Boys certainly love what they do and I certainly loved the opportunity to chat with them about it.

The new album The Mix Up has been in stores since the end of June and it’s one you should absolutely pick up.  It’s not a traditional Beastie Boys album, but the talent is real and the appeal is much broader.  This isn’t an album that would get you into trouble if you brought it to school.  In fact, your music teacher might give you extra credit.  There’s a reason the Beastie Boys made Rolling Stone’s top 100 artists of all time.  If it were up to me, I’d bump them up a few notches for putting this album out.  Make MCA happy too, but the whole album and get the cover art.

www.beastieboys.com/
www.myspace.com/beastieboys

008 DVD Review- Islam: What the West Needs to Know

 

DVD Review- Islam: What the West Needs to Know

A Frightening yet factual look into the Islamic Mentality

By Dustin Herlich – www.whatthewestneedstoknow.com

bookDeadpan, truthful and fairly frightening, This DVD is a model of how to be very politically incorrect, make an important but unpopular point and do it correctly. The people making this DVD didn’t just use their cell phone cameras to video drunk Uncle Harry ranting about Muslims. They did their home work and interviewed well regarded experts on the subject of Islam and Muslim culture.

Gregory M. Davis and Bryan Daly produced and directed the documentary which was released by Quixotic Media in 2006. The film starts off dramatically and really hits the ground running. Gregory and Bryan never actually appear in the film; they instead let the experts speak for themselves. The film gets right to the point and then backs up this point with hard facts. The title of the video reads “what the west needs to know”, but, really it should be “what question the west needs to ask” and that question is “is Islam itself violent?”.

The experts in the film include Serge Trifkovic, Robert Spencer, Bat Ye’or, Abdullah Al-Araby and Walid Shoebat. Out of all of them, the one whose words hit me hardest was absolutely Walid Shoebat’s. The rest are absolutely intelligent, respectable and thorough, but Walid’s back story is what helps cement his words in my mind.

Now a world famous anti-terror expert (and Born Again Christian), Walid began life as a PLO terrorist. By began life, I really do mean began life. He is very open when he talks about how he was trained from birth to hate the west. Walid has first hand knowledge of what we call extremist Islam. His words are nothing short of haunting. His assertion is that it is not extremist Islam that is dedicated to world domination and the destruction of all other religions, but rather mainstream Islam that holds this Ideal. This is something that all interviewed seem to completely agree on.

The political incorrectness of this assertion is more than enough to end the career of anyone in the public eye. It is a frightening proposition that absolutely deserves attention. According to the film this is not some wild claim by simple extremists on the opposite end of the spectrum; it is something that can be backed up with facts and scripture.

As I mentioned before, the video starts out simply and directly. The formula is something that reminds me of an academic paper. Make your point, then back it up with facts and cite your sources. Adding to the credibility of the film is the fact that they present you with un-edited text directly from the Koran and other Islamic texts. Mainstream television broadcasts from the Islamic world, speeches of world leaders and other footage are also presented to you frighteningly un-edited. If any outlet of western television even once openly portrayed the hatred that Arab television apparently does on a regular basis, arrests would be made.

Even if you find yourself vehemently opposed to the idea that Islam is a violent religion, this DVD is worth watching. I find it hard to counter many of the assertions made by the scholars in the film. One could compare violence in Islam to Jews eating pork. Jews know that they’re not supposed to eat pork, but many of us chose to do so anyhow. A morning without bacon is unthinkable to many. Many Muslims hopefully chose peace and chose not to slay their neighbors unless they convert, but apparently scripture is fairly clear when it tells Muslims that enemies must convert or die.

At this point, many of you might start to feel that I’m just another wheel in the propaganda machine against Islam. This isn’t the least bit so. The DVD raises some important points that need serious, scholarly rebuttal; or, the points need to be acknowledged and dealt with. Many reputable, Pulitzer Prize winning newspapers around the country, including the Atlanta Journal- Constitution and the Charlotte Observer, have called this film “thought provoking” and agree that the points made deserve a second look. Would the film have been better if it included interviews that countered the idea that Islam is violent? It would make it more palpable to academics, but I’d much prefer to see a counter film made that comes back with just as much hard evidence and facts. To have both sides presented equally would have taken away its ability to make a point. You don’t have to agree with the film, but you should know why these people feel the way they do.

The extras on this DVD I thought were particularly useful. In the extras you can find precise citations for the texts used and the versions of the translations cited. It even tells you web sites you can visit to find these translations (all are reputable web sources, such as libraries of major universities). Biographies of the experts interviewed are also included. On top of this, there is a section that points you towards further reading of various web sites and books. If you’re like I am and you like to take your time before deciding on whether this DVD is bunk or not, you’ll want to do your own home work and you’ll appreciate these extras not just being deleted scenes.

Before you formulate your own opinion of whether Islam is really a peaceful religion or not, I recommend watching this DVD. In many ways I’d love to see counter films made disproving what is presented in this film, but to date, I have seen nothing of the sort. World leaders such as George Bush and Tony Blair have been quick to say that Islam is a religion of peace and that many Muslim nations are “friends and allies of freedom” (you can watch them say this in the DVD). According to these experts though, this just isn’t the case. I’ve heard a lot of back and forth over the issue, but this is the first time I’ve seen anything other than promises and hearsay.

Love it or hate it, it’s worth 98 minutes of your life. You can find out more by visiting the web site for the video.